This is a rare museum-quality Ming Dynasty Terracotta Beijing Siheyuan House that was made specifically for funerary purposes during the Ming Dynasty. Mingqi funerary objects such as these could represent a replica of the house of the person in whose burial chamber it was found.
Placing items that the deceased favoured, or used during their lifetime inside the burial chamber was a popular practice in China dating back more than three thousand years. Almost anything one used in daily life, such as cooking and drinking vessels, a much-loved pet or farm animal was copied and made specifically for funerary purposes, ensuring that the needs of the deceased would be met during their journey into the afterlife and beyond.
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The Siheyuan, a traditional Beijing courtyard house, is an architectural style that has been a staple of Chinese culture for over two millennia. Originating during the Western Zhou period, these quadrangular residences are designed with a central courtyard surrounded by buildings on all four sides, reflecting the principles of symmetry and hierarchy that are central to Chinese culture. The layout of a Siheyuan is meticulously planned: the main building is situated to the north facing south, ensuring it receives ample sunlight and is sheltered from cold northern winds. This building is typically reserved for the elders in the family or for ceremonial purposes. Flanking buildings on the east and west sides serve various functions, often housing younger family members or being used for storage. The southern building, directly opposite the main house, usually contains the living quarters for the family.
The design, layout, and direction of the traditional Beijing Siheyuan house were important, involving many different elements such as the direction of the winds and rain, whether there was a mountain or river nearby that could have a positive or negative effect on the natural flow of Qi (good energy) into the home.
The entrance of a Siheyuan is marked by a single, carefully crafted gate that reflects the social status of the residents. Wealthier families might have larger, more ornate gates guarded by stone lions, and possibly a gatekeeper’s room adjacent to it. Inside, the spirit wall, or ‘shadow wall’, stands directly behind the gate, designed to protect the home from evil spirits and to provide privacy.
In modern times, the Siheyuan has faced challenges due to rapid urban development and population growth in Beijing. Many have been demolished to make way for new buildings, and those that remain are often subdivided to accommodate multiple families, leading to overcrowding and a lack of modern amenities such as private toilets. Despite this, Siheyuans are still seen as a cultural symbol of Beijing and a window into its old ways of life.
Efforts are being made to preserve these historic structures, with some being converted into public museums or boutique hotels, allowing visitors to experience the charm of traditional Chinese living. The Beijing Municipal Administration of Cultural Heritage has listed over 500 historic courtyards as important cultural monuments, ensuring that the legacy of the Siheyuan continues to be recognized and preserved for future generations.
During the Ming Dynasty Beijing became the cultural and political centre. Town planners specified specific regulations requiring houses to be built on a grid system. The walled courtyard house became the accepted style for this system. Almost everyone in Beijing, from the peasants to emperors lived in a courtyard-style house, varying in size and ornamentation depending on their wealth; these houses have served generations of the same family for centuries.
The courtyard configuration varied in other parts of China, depending on their climatic conditions and was built on the essential feng-shui principles regarding site selection to avoid cold winds that could blow the Qi (good energy) away, another was to be near water that brings and accumulates Qi.
Feng shui means “wind and water”. These elements in feng shui are thought to harmonize people with their environment to bring good Qi bringing peace, health, and good luck. The feng-shui concept of environment considers many factors, spiritual as well as physical, temporal and spatial, ranging from the sky to earth and from human life to nature.
As seen in this terracotta Ming dynasty Siheyuan house, there was a partition inside the entrance. According to Feng Shui principles, this was to thwart the dragon or evil entities who could enter and create mayhem. Often a mirror was placed on this wall, they believed that once the dragon saw the sight of himself, he would withdraw quickly.
The major goal of feng shui is to find a way to live in harmony with heaven, earth, and other people. Traditional Chinese believed that the way to live is to unite nature and people. An old Chinese proverb “to be lucky, one must find good timing, a suitable place, and supporting people.”
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